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News Feeds

I'm linked up to some great newsfeeds dealing with music industry news, music and sound production, sound engineering and more. They are RSS feeds, so you can subscribe to them yourself if you have an RSS newsreader or start page that lets you subscribe to them.


Technology (3) Newsfeeds about computers, gadgets, and related technology. Check out some beautiful Hubble Space Telescope pictures or read articles from the NASA Earth Observatory. And, you can't go wrong with Slashdot... News for Nerds; Stuff that Matters. "Any sufficiently advanced technology is indistinguishable from magic." -- Arthur C. Clarke Audio and Video (6) Newsfeeds related to the audio and video production industry. Check out Friday Morning Quarter Back (FMQB) with their recording industry news. Also, Music Industry News from HomeRecordingConnection.com and Record-Producer.com. You'll also find recording tips and techniques from RhythmDesign.us and StudioRecordingEngineer.com. If you really want some audio deepness, check out the Sound Recording White Papers repository feed from ITPapers.com

Studio Jargon

Mode

A simple definition of this complex and diverse term would almost certainly be inaccurate, while a full discussion is beyond the scope of this glossary, but here goes. Essentially a type of scale. If the notes used in a melody all appear in a given modal scale, and if the melody begins or ends on the base note (final) of the modal scale, the melody is said to be in that mode. The modes most commonly referred to can be obtained by playing only (and all of) the white piano notes between certain keys and their octaves thus: Ionian C - C, Dorian D - D, Phrygian E - E, Lydian F - F, Mixolydian G - G, Aeolian A - A. Modes are most commonly encountered in folk and ethnic music. The modern major and minor scales correspond to the ionian and aeolian modes respectively. So it seems that tonal music (most of the music written in the last 300 - 400 years) is based on only two of a number of possible scales, and it is interesting to note that while much European art music has confined itself to a thorough exploration of only these two modes, the rest of the world and European folk musicians have been quietly exploring all the rest and others. In defence of the apparent narrow mindedness of European art musicians, it must be said that the other modes do not easily lend themselves to the systematic and hierarchical structures beloved of them.

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