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Today is Sunday
November 23, 2008
07:18:05 AM CST
TParker.net
(Yes, I actually turn
turn this on occasionally)
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Today In History |
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On November 23, 1903
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Enrico Caruso US debut (Metropolitan Opera House, NY) in Rigoletto
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Music Industry News
I surf the Net daily for Music Industry News. When I find something I like, which is fairly often, I'll post it here. Most of the stories I link to come from websites like MI2N.com, Slashdot.org, DrudgeReport.com, CNet.com, and various other news agencies including the Associated Press and Reuters. |
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Studio Jargon |
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A simple definition of this complex and diverse term would almost certainly be inaccurate, while a full discussion is beyond the scope of this glossary, but here goes. Essentially a type of scale. If the notes used in a melody all appear in a given modal scale, and if the melody begins or ends on the base note (final) of the modal scale, the melody is said to be in that mode. The modes most commonly referred to can be obtained by playing only (and all of) the white piano notes between certain keys and their octaves thus: Ionian C - C, Dorian D - D, Phrygian E - E, Lydian F - F, Mixolydian G - G, Aeolian A - A. Modes are most commonly encountered in folk and ethnic music. The modern major and minor scales correspond to the ionian and aeolian modes respectively. So it seems that tonal music (most of the music written in the last 300 - 400 years) is based on only two of a number of possible scales, and it is interesting to note that while much European art music has confined itself to a thorough exploration of only these two modes, the rest of the world and European folk musicians have been quietly exploring all the rest and others. In defence of the apparent narrow mindedness of European art musicians, it must be said that the other modes do not easily lend themselves to the systematic and hierarchical structures beloved of them. |
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"I have seen all the
works that are done
under the sun; and,
behold, all is vanity
and vexation of spirit."
Ecclesiastes
1:13-15
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