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MAudio Trigger Finger MIDI Controller with Pads |
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Written by TParker
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Saturday, 24 September 2005 |
Trigger Finger puts the power to program and perform expressive percussion and drum parts at your fingertips. Its 16 velocity-sensitive pads are perfect for playing the drum sounds in your favorite software, launching loops and samples, or even controlling video projections -- and applying pressure to the pads can generate any MIDI controller you wish. Trigger Finger also gives you 8 knobs and 4 faders that are freely assignable to MIDI parameters such as volume, pan, pitch, and effects. Pre-programmed maps for Reason, Live, GM Drum, XG Drum, iDrum, and more make setup a snap -- and full programmability lets you customize the unit to fit your needs. Settings are easy to store via 16 presets, and M-Audio’s free Enigma librarian software for PC and Mac lets you create a collection of even more. A simple USB cable is all it takes to connect and power Trigger Finger with your computer. It’s time to take full control of your drum programming—and Trigger Finger is the right tool for the job.
Buy One now or read on for more details...
Features
- 16 velocity and pressure-sensitive pads
- 8 assignable knobs
- 4 assignable faders
- Pre-programmed maps for Live, Reason, GM Drum, XG Drum, and iDrum
- Velocity control including fixed velocity mode
- Program/bank change capability
- Powered via USB connection or optional DC power supply
- 16 MIDI presets
- Programmable with free Enigma librarian
software
- 3-digit LED display
- Class compliant with Windows XP and Mac OS X
- Includes free Ableton Live Lite 4
software
Technical Description
- Size: 11 in. (w) x 10 in. (d) x 2 1/4 in. (h)
279.4mm (w) x 254mm (d) x 57.2mm (h)
- Compatibility: MME, DirectX, Core MIDI
- Windows minimum system requirements:
- Windows XP
- Available USB Port
- Mac minimum system requirements:
- Mac OS X 10.2.8 or higher
- Available USB Port
{moscomment} |
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Last Updated ( Saturday, 24 September 2005 )
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Studio Jargon |
(1) An electronic device for making sounds, in which the shape and method of construction have little effect on the nature of the sound produced. This wide definition includes: Electronic organs, samplers, drum machines even radio sets etc. as well as those devices which are more immediately recognised as synthesisers. Some devices, such as the Thérémin do owe their sound, in part, to their construction, and may be considered somewhat "grey" in respect of this definition. (2) A specific case of (1) above, equipped with oscillators, filters, amplifiers as well as modulation sources. Either with a predetermined or more or less programmable audio and control signal path, which can be used as a musical instrument or for sound effects. The oscillators may include the ability to replay digital recordings of sounds, and the whole or part of the system may be implemented using digital or analogue technologies. |
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