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AFL/CIO Forms Arts and Media Coordinating Committee PDF Print E-mail
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Written by TParker   
Monday, 10 October 2005
AFL/CIO Forms Arts and Media Coordinating Committee

A new Industry Coordinating Committee (ICC) has been formed by the AFL/CIO to coordinate growth in the arts, entertainment, media and broadcast industries. The convergence of all media and quick technology shifts have created a challenging environment for the workers in those industries. The ICC hopes to bring togethers unions from related fields to wield more negotiating power. Excerpts from the article:

"For the first time, all of the major AFL-CIO unions in these sectors will work together to devise joint organizing and collective bargaining strategies in conjunction with their long-standing collaborative work on legislation and public policy," said Paul Almeida, President of the federation's Department for Professional Employees.

The 10 unions that are part of the new ICC are: Actors' Equity Association (AEA), American Federation of Musicians (AFM), American Federation of Television and Radio Artists (AFTRA), Communications Workers of America (CWA), International Alliance of Theatrical Stage Employees (IATSE), International Brotherhood of Electrical Workers (IBEW), National Association of Broadcast Employees and Technicians (NABET-CWA), Screen Actors Guild (SAG), The Newspaper Guild (TNG-CWA) and the Writers Guild of America East (WGAE). Combined, these unions represent nearly one million workers in these sectors.

WOW! That's a big union, paw-paw!

Web Link Click here to read the article over at the Music Industry News Network.

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Last Updated ( Monday, 10 October 2005 )


 
Studio Jargon
Frequency Response
A graph which shows how a system or piece of equipment or even an environment such as a room responds to different frequencies. Ideally, for audio work the graph should plot a flat line from below 20 Hz to above 20 kHz. In practise this is often not achieved, and the line will fluctuate up and down between these points, indicating that the equipment or environment makes some frequencies louder or quieter than others. Humans have a well documented "non-flat" response and this is the response used to specify the dB(A) scale for determining loudness. The term should not be confused with bandwidth which concerns itself only with the attenuation above an upper limit frequency and below a lower limit frequency and does not concern itself with the range between them.

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